About
For three thousand years, the Jewish people have been scattered around the world. That is why Jewish cinema is created in many different countries, alongside with special festivals that select and showcase those films. The Jewish Film Festival® in Moscow became the first of its kind in Russia. It was founded in 2015 and has been held annually ever since.
What is the Jewish cinema, after all? It encompasses far more than films made by Jewish directors or films which star famous Jewish actors. The never-ending search for Jewish identity, assimilation of diasporas and philosophy of self-determination and separation of the Jewish people in a society, return to the past, glorification of national heroes and mourning of victims, challenges of today’s world and the problem of relevance and preservation of traditions - these and many other issues attract filmmakers of all countries and continents. By searching and selecting the best Jewish films during the course of the past year we have attempted to shape an answer to the question of what these rapidly changing ethnic-themed films really are. Moscow, a large metropolitan area, a place where many cultures and nationalities live side-by-side, is one of the world’s most fitting locations for a festival that represents a dialogue of national communities.
The MJFF holds screenings of the most important and resonant Jewish films of the latest years. At the centre of the Festival is the Feature Films Competition Program, which is complemented by screenings of documentary films, short films and documentary shorts (as part of either competition programs or special screenings), as well as by discussions with experts on different topics raised in films and critics who specialize in Jewish cinema.
Main Competition
The best narrative feature films on Jewish themes released during the past year, which have not been screened in Russia before. The main program of the Festival.
Competition
The competition program of the Festival screens the best documentary features, documentary shorts, and narrative short films. They tell real stories about life of the diaspora on every continent, introduce short authorial investigations of the past, the present, and the future, experiments of young authors, short narrative sketches and animated films.
Out of Competition
Out of Competition Program at the MJFF includes films that did not become part of its competition programs; Russian premiers of high-profile films that explore Jewish themes, questions of multinational peace, tolerance, and intolerance; and experimental works of different kinds and genres. It includes special and retrospective screenings.
Prize
The Prize of the Festival is the Key to Discoveries. The statuette symbolizes the place of the Jewish culture at the confluence of the interaction of diverse countries and nationalities.
The Jury Awards the Key to Discoveries to films in the following competition categories:
- Best Film
- Best Narrative Short Film
- Best Documentary Feature Film
- Best Documentary Short Film
- Jury Prize (awarded by Jury members to a film that took part in the Festival Competition Programs)
Board of trustees and Public Council of the Festival award the Honorary Award For the Outstanding Contribution to the Development of Jewish Cinema in Russia.
Retrospective
This year's short retrospective program is referential and alludes to the first Moscow Jewish Film Festival, held back in 1990. All four films are taken from that program. Three of them are united by their time of creation (late 1970s - 1980s), geographic scope (West Germany, Austria), and the period depicted (1930s-40s). These are very important and fundamental works of German-language cinema on the eve of the fall of the Berlin Wall, completely unfamiliar and inaccessible to the domestic audience, despite their official international recognition (Oscar nomination, Golden Bear in Berlin, Best Director award in San Sebastian). Peter Lilienthal (David, 1979) and Axel Corti (Welcome in Vienna, 1986) are quiet, under-the-radar classics of social cinema who remained in the shadow of Wenders, Kluge, Schlöndorff, and Herzog. The name Agnieszka Holland (Bitter Harvest, 1985) is louder and more famous, but even in her extensive filmography, this one-off German experience got lost among her Polish and English-language films. All three films, in their own way, touch upon issues that were contentious for the outwardly prosperous Austria and West Germany of the last quarter of the last century: collective memory, responsibility, identity, and trauma. Yet in each film, these grand themes are examined through private, intimate material, filtered through melodramatic conflicts.
These films are symptomatic; their emergence is a consequence of the desire of Central European societies and directors to settle accounts with recent history. A separate highlight of the retrospective program will be a unique screening of the truly rare film Private Life by another quiet but undisputed classic, Mikhail Bogin, a director with a remarkable lyrical gift. Following the screening, a dialogue will take place between Bogin and the patriarch of Russian film studies, Naum Kleiman, who was also involved in organizing the first Moscow Jewish Film Festiva
Educational Program
This is a platform for self-education, for creative and social initiatives, and for enjoyable conversations between viewers of any nationalities and religious beliefs with filmmakers and experts in various areas of knowledge. Our Educational program enables its participants to seek answers to the question: What is so unique about the Jewish cinema? While the Film Festival itself introduces its guests to films from all over the world, the Educational program teaches — through lectures, workshops, and discussions — to understand the language of the Jewish cinema, introduces viewers to the history and culture of the Jewish people, helps to anticipate the major trends and possibilities of the modern times. All educational events are free for the Festival audiences, as well as free for attendance.
Organizer
The Festival is organized by the Ark Foundation for Support and Development of the Jewish Cinema.
Ark Foundation for Support and Development of the Jewish Cinema was established in order to develop Jewish culture, preserve history, promote ideas of humanism, tolerance, and equality through the language of filmmaking. To achieve these goals, the Foundation creates and distributes cinematographic works and organizes film-related events.
Catalog
The catalog of the 10th Moscow Jewish Film Festival can be found by clicking on the «Catalog» button.
Rules and Regulations
Rules and Regulations of the Moscow Jewish Film Festival are available at the link below.